|
I LOVED your golfing
story. Read every word. You're a wonderful writer.
(Peter Bowerman, the Well-Fed Writer)
Big Things rule! ... and the video
of the Airbus is great. (Jim McDonald,
Birmingham, UK)
Having enjoyed reading your
biographical, They
can't take that away from me... I
would love to post your article (for my) course for
seniors entitled Autobiography and Journaling ... and
let them read your article as a good example of what
I call the reader's writer, clearly expressed and easy
to read. (Howell)
Writers'
Resources
Vocabulary
Resource Centre
Travel
Writing
Test
Your Skills
Help
for Writers
Help
for Students
Help
for Parents
Help
for Businesses
Help
with Resumes
About
Write101
About
Australia
Make
Music
Just
for Fun
Privacy
Policy
The French language has
always appealed to me ... so I enjoyed Lavinia's
experiences en
France! (Di Sullivan, Perth, Australia)
I am an American and an
expat here since 1990. I have been a subscriber to Writing
Tip for a few years now and look forward to the Friday
editions. I archive by creating topics of the tips
relevant to me and often refer. (Mary, Lagos, Nigeria)
|
WRITERS!
Write
Your Own Best Seller!
This
year, don't just read a best-seller ... Write
your own using the software program that works
in the same way J K Rowling writes her Harry
Potter novels!
|
Who said Aussies would
bet on two flies crawling up a wall? Now I know
better! (Bill Denham, Chicago, USA)
I enjoy reading your page
every week, Jennifer, it's never boring and there's always
something to bring a smile to my face! (Kenny Dima,
Tenerife, Spain)
Thanks for pitching in to
help clarify
the English Language for and with us. (Paul, Portland,
USA)
Your story about the evil
glasses made my day :) (Edith, Derbyshire, UK)
I enjoy your
letter and use it in my advanced writing class here in
China. (Bugs, Shenzhen, CHINA)
I always look forward to
your Latin
quote of the week. (Paul, Mexico City, Mexico)
Aah! Those evil
marionettes are everywhere! Thanks for another great
laugh! (Jim Fraser, Vancouver, Canada)
Your remarks regarding the alien
contact had me in stitches, figuratively speaking, of
course. (Dave Wagner, Sacramento, US)
The best part of the
missive is the introduction to Australian
humour and expressions. (Chaska, Prince Edward
County, CANADA)
Like your
site...very inspirational when you get writer's
block like me! (Peter, Seoul, South Korea)
Nice letter, I
was using google for once, twice, thrice
and quince, and found this page, great ;) (Marv, Zwolle,
NETHERLANDS)
One of the most
amusing and erudite newsletters that makes my day.
Keep going. (David Vasnaik, Bangalore, INDIA)
Read
more testimonials ...
Great newsletter -
originally found this site after searching for
clarification on a contentious
point amongst work colleagues. Just had to look at old
issues and now look forward to Fridays (Juliet Wallace,
Manchester, ENGLAND)
|
|
|
| |
GLOSSARY OF
CHILDREN'S WRITING TERMS
by Laura Backes
ADVANCE:
money paid to author by publisher once book is under contract. ½ of advance is
generally paid upon signing of the contract, ½ upon delivery of final
manuscript. Advances are paid against future royalties (see below), so the
author won't receive any additional payments until the royalty earnings have
surpassed the amount of the advance.
|
BACKLIST:
books from previous seasons that are still in print. In children's publishing, a
book can remain on a publisher's backlist for 50 years.
COPYRIGHT:
designates ownership of the book. Most publishers will copyright the text in the
name of the author, meaning that when the work goes out of print all rights
revert back to the author and the book can be sold to another publisher.
FLAT FEE:
also called "work-for-hire." The author or illustrator is paid one
lump sum for their work, and receives no royalties.
FRONTLIST:
the books being published in the current season, and featured in the publisher's
current catalog.
HARDCOVER:
also called "cloth", refers to books bound with a hard,
cloth-over-cardboard cover and covered with a paper dust jacket.
INSTITUTIONAL SALES:
books sold to schools and libraries. Both trade and mass market books can have
institutional sales. Children's book publishers rely on institutions for a large
portion of their sales.
MASS MARKET:
also called "rack-sized", this is a paperback book smaller in trim
size than trade paperback, usually with a different cover illustration than the
hardcover edition, and considerably cheaper.
MASS MARKET PUBLISHERS:
companies that produce paperback books inexpensively and in large quantities;
their titles tend to follow trends and sell high volume in a short amount of
time. Most mass market publishers are not looking for award-winning books or a
strong backlist, but rather titles that fit current market needs.
NET PRICE:
sometimes called "wholesale price", this is the money the publisher
actually receives from each book sale after discounts are given to book stores
or buyers. Some publishers base the royalty paid to the author or illustrator on
net price.
PERMISSIONS:
a fee paid by anyone who wants to reprint part of your book for various uses.
Some of these uses are: excerpts of your book appearing in an anthology;
teachers reproducing all or part of your story for class use (often the
publisher will allow teachers to use material for free); another writer using
more than 50 words from your book in a published article. The publisher handles
permissions for the author, and splits the proceeds, usually 50/50.
|
|
RETAIL PRICE:
the cover price on the book. Most larger publishers pay royalties based on the
cover price.
ROYALTIES:
a percentage of the proceeds from the sale of each copy of the book. Royalties
can range from 3% - 15%, depending on the type of book, amount of experience
author has, etc. Authors and illustrators are both paid in royalties unless a
flat fee arrangement has been made.
SASE:
self-addressed, stamped envelope.
SCBWI:
Society of Children's Book Writers and Illustrators, the leading membership
organization for children's writers.
SUBSIDIARY RIGHTS:
sales of your book, either by your publisher or your agent, to other outlets
such as book clubs, foreign publishers, magazines, or movie studios. If the
publisher sells the sub. rights, the proceeds are split with the author (usually
50/50). If the agent sells the rights, the author keeps all the proceeds minus
the agent's commission.
TRADE PAPERBACK:
refers to a book bound with a heavy paper cover, usually the same size and with
the same cover illustration as the hardcover edition, but lower in price.
TRIM SIZE:
the outer dimensions of the finished book.
WORK-FOR-HIRE:
see "flat fee" above.
Laura Backes is the publisher of Children’s
Book Insider - the newsletter
for children’s writers - and the founder of The CBI Collection, the
first-ever catalog just for children’s writers. The CBI Collection includes
exclusive books, disks and writers tools for every level of children’s
writing, from complete beginners to experienced pros. There’s even a
complete beginning children’s writing course available for under $20. For a
free copy of The CBI Collection, write to Children’s Book Insider, 901
Columbia Road, Fort Collins, CO 80525, call 1-970-495-0056 or e-mail
children@mailback.com. Also, visit
the Children’s Writing Resource Center
on the World Wide Web -- http://www.write4kids.com
---------
You might also like to tell your readers about two free e-books we offer
for download: "Secrets of Writing Great Picture Books" and "How
To Get
Started As A Children's Writer". They're both found at
http://www.write4kids.com/ebooks.html
(©1999, Children's Book Insider, LLC
More
hints.
|